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practicing the arts of cogitation since the late 1900s.

New book in 19th century studies of race and sexuality

Posted on | August 26, 2009 | 2 Comments

The Amalgamation Waltz: Race, Performance, and the Ruses of Memory
Tavia Nyong’o

University of Minnesota Press
$22.50 paper
ISBN: 978-0-8166-5613-4
$67.50 cloth
ISBN: 978-0-8166-5612-7

Description:

Does racial hybridity offer a future beyond racial difference?

At a time when the idea of a postracial society has entered public discourse, The Amalgamation Waltz investigates the practices that conjoined blackness and whiteness in the nineteenth and twentieth centuries. Scrutinizing widely diverse texts—archival, musical, visual, and theatrical—Tavia Nyong’o traces the genealogy of racial hybridity, analyzing how key events in the nineteenth century spawned a debate about interracialism that lives on today.

Deeply interested in how discussions of racial hybridity have portrayed the hybrid as the recurring hope for a distant raceless future, Nyong’o is concerned with the ways this discourse deploys the figure of the racial hybrid as an alibi for a nationalism that reinvents the racist logics it claims to have broken with. As Nyong’o demonstrates, the rise of a pervasive image of racially anomalous bodies responded to the appearance of an independent black public sphere and organized politics of black uplift. This newfound mobility was apprehended in the political imaginary as a bodily and sexual scandal, and the resultant amalgamation discourse, he argues, must be recognized as one of the earliest and most enduring national dialogues on sex and sexuality.

Nyong’o tracks the emergence of the concept of the racial hybrid as an ideological modernization of the older concept of the mongrel and shows how this revision brought race-thinking in line with new understandings of sex and gender, providing a racial context for the shift toward modern heterosexuality, the discourse on which postracial metaphors so frequently rely. A timely rebuttal to our contemporary fascination with racial hybridity, The Amalgamation Waltz questions the vision of a national future without racial difference or conflict.

Tavia Nyong’o is associate professor of performance studies at New York University.

248 pages | 18 b&w photos | 6 x 9 | 2009

TABLE OF CONTENTS

Introduction: Antebellum Genealogies of the Hybrid Future
1. The Mirror of Liberty: Constituent Power and the American Mongrel
2. In Night’s Eye: Amalgamation, Respectability, and Shame
3. Minstrel Trouble: Racial Travesty in the Circum-Atlantic Fold
4. Carnivalizing Time: Decoding the Racial Past in Art and Installation
Conclusion: Mongrel Pasts, Hybrid Futures
Acknowledgments
Notes
Bibliography
Index

Comments

2 Responses to “New book in 19th century studies of race and sexuality”

  1. Tavia
    August 26th, 2009 @ 2:54 pm

    Thanks for letting folks know about my book!

  2. Kasalina
    August 27th, 2009 @ 11:48 am

    Cool, I’m going to get this!

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  • CARLAGIRL PHOTO was founded on 14 February 1999 by Carla Willliams, a photographer, writer, and editor, born, raised and heading back to (yea!) Los Angeles, California.

    It was established with two goals: to be able to make my own work widely available for free, and to make accessible my research about artists of the African Diaspora, especially photographers, and in particular women. As it developed it grew to also include GLBTQ artists.

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