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Save the Date: A Symposium on African American Women in the Visual Arts

Posted on | November 6, 2009 | No Comments

The David C. Driskell Center and The University of Maryland University College Arts Program announce the upcoming symposium in 2010

“Autobiography/Performance/Identity A Symposium on African American and African Diasporan Women in the Visual Arts”

Friday, March 5 and Saturday, March 6, 2010

“Autobiography/Performance/Identity” will take a close look at some of  the themes and issues that black female artists have been engaging over the latter part of the twentieth century. The symposium will address critical issues of performativty and autobiography in the work black female artists from North America, the Caribbean and Africa.

Speakers include:

Lorraine O’Grady, Performance Artist
Keynote Speaker

Maria Magdalena Campos-Pons

Uncontrollable Physicality, Performativity and the Black Female Body: Topsy, Josephine Baker and Kara Walker
Gwendolyn DuBois Shaw, Ph.D., University of Pennsylvania

En, Acting Others: Exploring Biography in Identity Performance
Cherise Smith, Ph.D., University of Texas at Austin

The Arts of Healing
Lisa Gail Collins, Ph.D., Vassar College

Autobiography in the work of Contemporary African Artists: Marasela, Kure, Essaydi
Christa Clarke, Ph.D., The Newark Museum

Andrea Chung’s Cutouts: Photography and Rememory in the Caribbean
Krista Thompson, Northwestern University

For more information on the program please visit the Symposium website:
http://www.umuc.edu/art/diasporan_symposium/index.shtml

Registration information is forthcoming and will be posted to the website.

David C. Driskell Center
University of Maryland
1214 Cole Student Activities Building
College Park, MD 20742
driskellcenter@umd.edu
301-314-2615 (office)
301-314-0679 (fax)

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  • CARLAGIRL PHOTO was founded on 14 February 1999 by Carla Willliams, a photographer, writer, and editor, born, raised and heading back to (yea!) Los Angeles, California.

    It was established with two goals: to be able to make my own work widely available for free, and to make accessible my research about artists of the African Diaspora, especially photographers, and in particular women. As it developed it grew to also include GLBTQ artists.

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