carlagirl photo.

practicing the arts of cogitation since the late 1900s.

Call for Images: Transition Magazine

Posted on | July 5, 2010 | No Comments

Transition is a unique forum for fresh perspectives on global issues, literature and art, cultures and people, with an emphasis on Africa and the Diaspora. We seek images that inform, innovate, startle, and speak. At present, we are building an image database and seek new work from photographers and artists. To submit your work and be considered for publication in future issues of Transition, email the following to transition@fas.harvard.edu with “Image Submission” in the subject line:

· Five to fifteen high-resolution (300 dpi) images for which you would grant Transition permission to publish
· A short bio in a MSWord document
· Contact info, including name, address, email and phone
Should your image(s) be selected to appear in Transition, a member of the staff will contact you to make further arrangements for publication.

Although Transition is unable to pay contributors, we provide the opportunity to reach a broad, international audience by including a brief profile on each artist whose work is used to complement our text pieces.

Please note that all artwork and photography in Transition appears in black and white, and we can use only high-resolution images (300 dpi). Others will be discarded.

www.transitionmagazine.com
@transition_mag
Transition Magazine
104 Mt Auburn St, 3R
Cambridge, MA 02138
(w) 617-384-8338 (f) 617-496-1322

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  • CARLAGIRL PHOTO was founded on 14 February 1999 by Carla Willliams, a photographer, writer, and editor, born, raised and heading back to (yea!) Los Angeles, California.

    It was established with two goals: to be able to make my own work widely available for free, and to make accessible my research about artists of the African Diaspora, especially photographers, and in particular women. As it developed it grew to also include GLBTQ artists.

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  • "Dedicated to the real photographers of the world—to those who, with their second-hand equipment and their makeshift darkrooms, are today fighting their solitary battles with their recalcitrant medium, not for money or for glory, but because they would rather make pictures than anything else in the world." - William Mortensen
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