06 August 2008

(received from Lara Stein Pardo)

Hi-

I wanted to let you know that my new short film, dreams (sueños), will premiere at Diaspora Vibe Gallery in Miami, for "Space is the Place," on August 14. The film is brand new, and is based on the relationship between Havana and Miami. If you are in the Miami area, it would be great to see you there. Even if you're not, you can still read more about the film, and see several film stills at this link: http://audience.withoutabox.com/films/dreams.

Here is more info about the show.

Space is the Place

Exhibition Dates
August 14 - September 25, 2008

Opening Reception
Thursday, August 14, 2008, 6-9pm

Artist Talk
Saturday, August 16, 2008, 2-4pm


Location
3938 N. Miami Avenue
Miami Design District
Miami, FL 33137
305.573.4046
305.573.7675

Space is the Place frames the opening up of art-making as a series of actions,
investigations, re-enactments, appropriations, and interventions, which locate art as a
social act that. Featuring time-based art, Space is the Place presents video,
installation, sound, and performance that blurs the boundaries between art and life and
redefines traditional definitions of figure, background, object, and audience, so that
all become interchangeable and new socio-cultural spaces are created.

Artists include Jamilah Abdul-Sabur, Bibi Calderaro, Odie Rynell Cash, Patrick de
Castro, Diana-Sofia Estrada, Fulana (Lisandra Ramos-Grullón, Cristina Ibarra, Andrea Thome, and Marlène Ramírez-Cancio), Inge Hoonte, Claudia Joskowicz, Lara Stein Pardo, Dinorah de Jesús Rodríguez , Ayanna Jolivet Mccloud, Sara Modiano, Jorge Rojas, Elizabeth Ross, Russell Watson, Talking Head Transmitters (Eugenia Vargas Pereira & Odalis Valdivieso), Michelle Tupko , and Carolina Vasquez. Space is the Place is curated by Ayanna Jolivet Mccloud.

lara stein pardo
visual artist & cultural writer
www.larasteinpardo.com

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05 August 2008

Elizabeth Colomba

I spotted these images by storyboard artist Elizabeth Colomba at The Cocoa Lounge; interesting!

Her website is http://www.elizabethcolomba.com/

There's also a 10-year old interview at
http://www.tipjar.com/dan/colomba.htm

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04 August 2008

SavetheInternet.com banner


The people-powered movement for Net Neutrality won a historic victory on Friday. A bipartisan majority at the FCC voted to punish Comcast for illegally blocking Internet content.

We need your help to keep up the momentum. See the e-mail below that we sent to Network Neutrality supporters asking to help us reach 2 million petition signatures in support of an open Internet.

Please share this exciting news with your readers to help spread the word about this important victory. You can link to our petition at: https://secure.freepress.net/site/Advocacy?&id=277

Thank you,

Megan Tady
Campaign Coordinator
Free Press Action Fund
www.freepress.net
www.savetheinternet.com


Dear Friend,

The FCC just voted to punish Comcast for violating Net Neutrality

Join the Open Internet Movement

Your hard work is paying off! Just one hour ago, the Federal Communications Commission voted to punish Comcast for violating Net Neutrality and blocking your right to do what you want on the Internet.

This win is yours. Defying every ounce of conventional wisdom in Washington, activists, bloggers, consumer advocates and everyday people have taken on a major corporation and won.

Today's vote at the FCC is also a precedent-setting victory that sends a powerful message to phone and cable companies that blocking access to the Internet will not be tolerated from this time forward.

News of this win is now being covered by every major news outlet as a turning point for Net Neutrality. Many more people are discovering our people-powered movement for a free and open Internet.

We need to capitalize on this momentum to grow the movement and ensure that Net Neutrality is protected on all 21st-century networks. Help us send a message to this Congress -- and the next one:

Join the Internet Freedom Movement: Stand Up and Be Counted

In the past two years, more than 1.6 million of you have already contacted Congress and the FCC. But that's not all. You have sacrificed time and energy speaking out at town meetings, collecting signatures on street corners and on campuses, and spreading the word via blogs, Facebook and house parties.

With your help today, signing this letter and forwarding it to friends, we can increase our ranks to more than 2 million.

Today's FCC victory is a milestone, but our work is far from done. Companies like AT&T, Comcast and Verizon are continuing to fight Net Neutrality using lobbyists, lawyers and campaign contributions. These special interests should not be allowed to set Internet policy for the nation.

Tell Congress: Keep the Internet Open for Everyone

The Internet's true greatness lies in those of us who use its level playing field to challenge the status quo, create and share new ideas, take part in our democracy and connect with others around the world -- without permission from any gatekeepers.

With your help and commitment, today's win will be just the first of many to protect innovation, free speech and democracy on the Internet.

Thank you!

Timothy Karr
Campaign Director
Free Press
www.freepress.net
www.savetheinternet.com

P.S. Help us spread the word about this important victory for Net Neutrality. Tell your friends and join SavetheInternet on Facebook and MySpace.

P.P.S. Want to learn more about this historic ruling by the FCC? Check out these great articles:

  1. Historic Victory for Net Neutrality, at SavetheInternet.com
  2. Comcast Unleashes the Lap Dogs, at Huffington Post
  3. Kevin Martin’s Open Network Manifesto, at the New York Times
  4. Adelstein and Copps: Voices at the FCC for a Free and Open Internet, at the Huffington Post


Take action on this important campaign at: http://free.convio.net/site/Advocacy?pagename=homepage&id=277

Tell your friends about this campaign at: http://free.convio.net/site/Ecard?ecard_id=1161


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new press (at least to me); calls for submissions

Welcome to Books by Black Freighter Productions.

This is a different type of publishing house. This is the house that publishes the heart and soul of people's work. Here—you'll find essence—the work that was produced during the time in the writer's life that was most trying, most joyous, most inspirational, most challenging. The works published here are those works that redefine, reignite. Our writings have power, the power to produce new relationships based on understanding and shared experiences. Here—you'll hear a laugh similar to your own, see a different tear from the same cry, feel a heart with the same ache, the same hunger.

That's what we publish and who we publish.



Moral Horror: Virtuous Horror Stories for Adults
Adult Horror Fiction

Books by Black Freighter Productions is collecting short stories for its
new project: Moral Horror: Virtuous Horror Stories for Adults.

Think: Lust, Gluttony, Greed, Sloth, Wrath, Envy, Pride. If you have a story that is ten
pages (or less) that tackles any of the seven deadly sins
send it to us. BFP is interested
in stories about obesity, relationships, laziness, jealousy, addictions, and consumerism.
So, brush up on your Twilight Zone, get creative, and let's scare the habits out of each
other.


Project Name: Moral Horror
Submission Period: 9/25/2008-10/25/2008
BFP Response Dates: 11/25/2008-12/25/2008





Rock Bottom: Stories about Addictions for Teens
Non-Fiction

Books by Black Freighter Productions is collecting short stories for its
new project: Rock Bottom: Stories about Addictions for Teens.

BFP needs non-fiction short stories that describe (in gripping detail) the lowest point of
addiction. Stories about rock-bottom moments in drug, sex, relationships, food, career,
or vanity addictions are all welcome. This book will be marketed to teens. Please be
graphic without vulgarity.


Project Name: Rock Bottom
Submission Period: 1/1/2009-2/1/2009
BFP Response Dates: 2/15/2009-3/15/2009

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GRANTS FOR ARTS WRITERS

The Creative Capital | Warhol Foundation Arts Writers Grant Program announces its third round of grants as part of the Warhol Foundation Arts Writers Initiative.

The online application form will open on Monday, August 4, 2008 and the deadline for completed applications is Monday, September 22, 2008.

The Arts Writers Grant Program recognizes and supports individual writers working on contemporary visual art through project-based grants ranging from $3,000 – $50,000. Writers who meet the program’s eligibility requirements are invited to apply for grants in the following categories: articles, short-form writing, and blogs/new and alternative media. (Please note that the program also funds book projects; however, the deadline for applications to this category has already passed.)

For guidelines and eligibility requirements, please visit www.artswriters.org .

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01 August 2008

The Nigah Queerfest '08, Delhi

The BAC Community Arts Regrant Program funds Brooklyn-based nonprofit organizations and artists in the areas of visual arts, film and video, photography, craft, folk arts, dance, music, opera, theater, literature/writing, and multidisciplinary arts. Capacity-building grants are also available to Brooklyn-based nonprofit organizations.



The Brooklyn Arts Council administers four Community Arts Regrant Programs that are presented once per year:



* New York State Council on the Arts (NYSCA) Decentralization Program

* New York City Department of Cultural Affairs (DCA) Regrant Program

* NYSCA Individual Artist TIER Award

* JPMorgan Chase Regrant Program



Regrants are available solely to individuals and organizations with Brooklyn (Kings County) residency to support projects taking place in Brooklyn. All applicants are reqired to attend an application seminar prior be beginning their online application. CLICK HERE to learn more about the application process, to RSVP for a seminar, and to access the online forms.

2009 APPLICATION DEADLINE: September 25, 2008

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31 July 2008

The Board and Staff of the Tubman Museum Invite you to a reception for
the exhibition

Bud Smith: The Atlanta Series, 1968-2008
On display: August 8, 2008 – October 18, 2008

The photographs in this special exhibition were taken by Arthur "Bud" Smith. A native of Atlanta, Smith's long and varied career as a photographer has spanned more than forty years. The Atlanta Series focuses on the history and growth of Smith's hometown, the city often referred to as the "capital of the New South." Beginning in the aftermath of the assassination of Martin Luther king, Jr., and ending with the historic presidential campaign of Barrack Obama, the exhibition features more than eighty images, and documents the physical, political and social evolution of Atlanta, Georgia into a truly international city.

Reception: Friday, August 8, 2008 * 6:00 P.M. - 7:30 P.M.

Admission: Free for Members * $5.00 for the General Public

RSVP by August 4, 2008, (478) 743-8544

Tubman African American Museum, 340 Walnut St, Macon, GA 31208

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Dawoud Bey's Class Pictures 30% off

30 July 2008

I'm especially excited about the publication!

888 Pieces of We: A Photo Memoir by Keba Konte

July 30th through September 8th

Opening Reception: Friday, August 8th, 8pm to Midnight
Artist Talk: Saturday, August 16th, 2pm

The Oakland Art Gallery is pleased to present 888 Pieces of We: A Photo Memoir by Keba Konte. The 888 photographs to be shown in this exhibition will be of a variety of subjects; as Konte puts it, “ images of protests and portraits, street movements and political movements, freaks, friends and family members…” For more information about the show, visit our website at www.oaklandartgallery.org.

This exhibition is sponsored in part by the Guerilla cafe.


Keba has produced a beautiful full color catalog available now through Blurb.com Click HERE to view and purchase.

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888 Pieces of We: A Photo Memoir by Keba Konte

July 30th through September 8th

Opening Reception: Friday, August 8th, 8pm to Midnight
Artist Talk: Saturday, August 16th, 2pm

The Oakland Art Gallery is pleased to present 888 Pieces of We: A Photo Memoir by Keba Konte. The 888 photographs to be shown in this exhibition will be of a variety of subjects; as Konte puts it, “ images of protests and portraits, street movements and political movements, freaks, friends and family members…” For more information about the show, visit our website at www.oaklandartgallery.org.

This exhibition is sponsored in part by the Guerilla cafe.


Keba has produced a beautiful full color catalog available now through Blurb.com Click HERE to view and purchase.

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Updates from Glynnis Reed:

Hello Friends,

I'm writing to share news of current happenings and projects in the works for me right now. First, I'd like to invite you to take a look at some updates I've made to my website (www.glynnisreed.com). I've added quite a few new images and there's updated news.

I also have work in the show "Double Exposure: African Americans Before and Behind the Camera" in San Francisco at the Museum of the African Diaspora. During the the opening weekend, I attended the artists' reception and sat on the panel for the artists' discussion and had a great time connecting with artists and other folk rooted in that art scene. Also associated with my involvement in that show, my work has been published in the exhibit catalog as well as in the photo journal "Nueva Luz." The show will travel nationally throughout next year.

Coming up in '09 I will be in the show "Contemporary Flanerie" at Oakland University in Rochester, Michigan which I'm equally excited about.

And last but not least, I have been selected for the Visions from the New California Award from the Alliance of Artists Communities. Through this award, I will be in an artist residency at Djerassi Resident Artists Program for a month in 2009.

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interesting

CREATIVE TIME


MEDIA ALERT (July 29, 2008 New York, NY)
Contact: Nicholas Weist, nickw@creativetime.org, 212.206.6674 x205




Steve Powers
The Waterboarding Thrill Ride
West 12th Street in Coney Island
June 26 through late August

On Saturday, July 26 Creative Time and artist Steve Powers opened The Waterboarding Thrill Ride, an animatronic diaroma depicting a prisoner being waterboarded, installed in the Coney Island arcade, presented by Creative Time as part of its national public art initiative Democracy in America: The National Campaign. The Waterboarding Thrill Ride, which will boldly raise awareness of the issue of torture in the United States, will be open all summer long and is available for public viewing. On August 15, the artist will produce a private performance wherein he and several lawyers will be waterboarded by a trained professional in a secret location in the heart of Coney Island.

Download the full press release here.

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National Call for Research Papers and Notice of Upcoming Conference:

"Looking to the Future: Legal and Policy Options for
Racially Integrated Education in the South"

Deadline for Proposals: September 2, 2008

Conference date: April 2, 2009 at University of North Carolina-Chapel Hill

For a third of a century, from the late 1960s through the beginning of the 21st century, the South led the nation in school desegregation. In recent years, the South has lost that distinction and is resegregating faster than any other region. Now the nation's most populous region, the South is home to a substantial majority of African Americans, as well as to 20% of the Latino population, in the United States. Whether Southern schools will continue to resegregate - losing what was won by a half century of legal battles and social movements - must be quickly addressed.

The Civil Rights Project/Proyecto Derechos Civiles at UCLA (Gary Orfield & Patricia Gándara, co-directors), the University of North Carolina Center for Civil Rights at the UNC School of Law (Julius Chambers, director), and the University of Georgia Education Policy and Evaluation Center (Elizabeth DeBray-Pelot, interim director) will co-sponsor a national conference on April 2, 2009, in Chapel Hill, North Carolina. The conference will focus on the choices likely to shape the racial future of Southern education in the wake of the Supreme Court's 2007 Parents Involved in Community Schools v. Seattle School District No. 1 (PICS) decision. The goal of the conference is to heighten scholarly understanding about the meaning of the decision, as well as to enhance discussion about more immediate and longer-term policy options for the future of integration in the South.

The Civil Rights Project has commissioned more than 400 studies and published 16 books in a little more than a decade. In 2002, the Civil Rights Project and the Center for Civil Rights co-sponsored "The Resegregation of Southern Schools? A Crucial Moment in the History (and the Future) of Public Schooling in America." This national conference gathered more than 500 scholars and advocates in Chapel Hill to explore the causes and consequences of school resegregation. The convening resulted in the book School Resegregation: Must the South Turn Back?, edited by John Charles Boger and Gary Orfield (Chapel Hill and London: University of North Carolina Press, 2005).

Now the Civil Rights Project, the Center for Civil Rights, and the Education Policy and Evaluation Center, are combining efforts to generate cutting edge scholarship on the implications of the 2007 PICS decision particularly for the South. We seek papers from both legal and social science perspectives and both theoretical and empirical work are of interest. We are particularly interested in receiving proposals - for either proposed work (that will be ready for conference presentation in April) or studies already in progress - in the following topical areas:

* Viable legal strategies after PICS; policies that have passed legal muster; long-term legal strategies for racial equity, opportunities in state court;

* Policymaker response, including school board response, efforts to build community political will or educate the public, legislative options; strategies for racial and economic equity;

* Evidence on the importance of integration: why is striving for racial integration necessary? What do we know and what do we need to know to make the case for integration policies?

* Strategic Future Policy directions -- magnets; housing-education partnerships; Inter-district transfers; consolidation/fragmentation of schools or districts; SES-based plans; models for rural plans and for suburbs experiencing racial change; methods that school districts should use in considering alternative standards;

* Making Money Matter at the school level -- with respect to organizational dimensions such as teacher assignment, tracking, school climate, inclusive curriculum;

* Changing demographics -- growing multiracial nature of schools in the South, including papers focused on suburban racial change and the demographics in rural areas in the South; papers on how to conceptualize desegregation in a multiracial context; implications of these trends for teacher preparation & in-service training; explicit focus on how the growth in the Latino student population is affecting schools in the South.

Preliminary proposals should be only two (2) pages in length and should include: 1) the title of the paper; 2) the author(s) name and affiliation(s); 3) the name of the primary contact with email and telephone number; 4) the research questions or objective; 5) the theoretical framework; 6) the methods employed; 7) related work completed to date, and 8) the potential contribution of the analysis to XX. Proposals should make clear the particular connection between the proposed work and the PICS decision. Research proposals will be reviewed by staff of the sponsoring organizations and by a small panel of expert advisors.

Authors are asked to submit proposals by September 2, 2008. Submit proposals electronically to Erica Frankenberg (Frankenberg@gseis.ucla.edu). Selection and notification will take place by September 22, 2008, and papers will be due to discussants by late March 2009. At least one author of any accepted paper must be available to participate in the conference on April 2, 2009 in Chapel Hill, NC.

Chosen authors will be commissioned to write a paper that is about 20-25 pages in length for a national conference on the subject. The conference will bring together the authors of the draft papers for an intensive discussion of their work with other authors, and civil rights and policy experts in sessions aimed at strengthening the work and sharpening the focus to reach a broader audience. The papers are not to be written narrowly for scholarly audiences, though they should meet high academic standards. The goal is to do the best possible research and then to translate it for a much broader audience of policy makers. The final paper should include data and charts presented in the most accessible way possible so that community groups, the press, students, and others can utilize and inject the new information and insights into public discussion.

Authors will have full final control of their own work and will receive full credit for it. Draft papers will be edited and prepared for publication. All papers will be published on co-sponsor websites and, pending agreement reached with a prospective publisher, select papers will be included in an edited volume of conference papers. Contingent upon funding, authors will be paid $1000 for the draft paper as well as full expenses to participate in the roundtable. They will be paid another $1000 for the revisions of the paper.

Questions? Please contact any of the following:

* Elizabeth DeBray-Pelot (edebray@uga.edu),
* Erica Frankenberg (Frankenberg@gseis.ucla.edu), or
* Ashley Osment (osment@email.unc.edu)

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The latest in a series of reenactments of legendary Vietnam War-era protest speeches,

Port Huron Project 5 brings a powerful 1969 Angela Davis speech to the 21st century.

Oakland Museum of California presents

FRIDAY/AUGUST 1

6:30 p.m.
ITVS Community Cinema screening of CHICAGO 10—a compelling experimental documentary directed by Brett Morgen that combines audio recordings of the Chicago 7 trial, digital animation, and archival footage.

7:30 p.m.
Mark Tribe, Port Huron Project artist; Emory Douglas, former Black Panther Party Minister of Culture; Nato Thompson, Creative Time Curator; and René de Guzman, Senior Curator of Art discuss the film, the times, and the Port Huron Project.

LOCATION

Oakland Museum of California, 1000 Oak Street, Oakland

SATURDAY/AUGUST 2

Port Huron Project 5: The Liberation of Our People

5 p.m.
Music set by Youth Radio DJs

6 p.m.
Reenactment of 1969 Angela Davis speech at deFremery Park.

LOCATION

deFremery Park, 1651 Adeline Street (between 16th and 17th Street), Oakland

Rain Date: Sunday, August 3

BOTH EVENTS FREE & OPEN TO THE PUBLIC

OAKLAND MUSEUM OF CALIFORNIA

1000 Oak @ 10th Street

One block from
Lake Merritt BART

510/238-2200

www.museumca.org

Interested in previous PORT HURON PROJECTS? Visit www.creativetime.org

DIRECTIONS to deFremery Park

Directions from Oakland Museum of California:
1. Start out going North East on Oak St. toward 11th St.
2. Turn left onto 14th St./ International Dr.
3. Turn right onto Adeline St.
4. End at 1651 Adeline St. Oakland, CA 94607 (DeFremery Park)

Directions coming from San Francisco:
1. Take I-880 south exits toward Alameda/Airport/San Jose
2. Merge onto W Grand Ave toward Maritime St.
3. Turn right onto Adeline St.
4. End at 1651 Adeline St., Oakland (DeFremery Park)

Museum admission: $8 adults; $5 seniors and students, free for kids 5 and under, museum members, and City of Oakland employees (with ID). Questions? Call 510/238-2200. Hearing impaired: TTY 510/238-3322.

Mark Tribe’s Port Huron Project 5: The Liberation of Our People was presented by Creative Time with the Oakland Museum of California as a part of Democracy in America, a national public art initiative organized by Creative Time. Port Huron has been generously supported by Creative Capital.

24 July 2008

updates from April Banks

Now Showing. . .

navajos.jpg

Navajos Creep Me in They Teepees* (Collaboration with Amanda Williams) [Editor's note--I LOVE this piece--one of my favorites in the show]

*image from a photography series about the prevalence of double entendres in rap music/popular culture.
The lyrics “. . .Navajos creep me in they teepees. . .” are from rapper Biggie Smalls’ song, “Give Me One More Chance.”

@ The Museum of the African Diaspora

Show: "Double Exposure" Traveling Photography Exhibition
Location: 685 Mission St (@ 3rd), San Francisco, CA
Show runs: June 20 - September 28, 2008
more info: Double Exposure

In Print . . .

cover_0802_full.jpgcurioulsy choc.jpg


Curiously Chocolate (beautifully written by Nicole Caruth)

Issue: Spring 2008, Volume 8, No. 2
more info: Gastronomica Online

California Visions Award

My first artist residency!

After being nominated two years in a row (thank you Kevin Chen from Intersection), I received my first artist residency through the
Alliance of Artists Communities. I am one of the six California artists chosen to participate in the Visions from the New California project,
sponsored by The James Irvine Foundation, for 2009.
My residency will be at the 18th St. Art Center in Santa Monica, CA.

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If you are in Atlanta in August-

Takara Portis' work is included in this show. There's more info at http://www.studioswan.com/html/exhibinfo.asp?exnum=479

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23 July 2008


Call to Artists

The Museum of Contemporary African Diasporan Arts (MoCADA) is seeking female artists living and working in the United States of the Muslim faith to create work that visually represents their own perspectives and relationships to their faith.

The exhibition Islam from a Woman’s Perspective will be on view at MoCADA from May 28 – September 13, 2009.

Illuminating Islam Conference & Festival

No more pressing issue faces the world today than the profound lack of understanding between Western and Islamic societies. Even as Islam has become the world’s second largest religion, with an estimated 1 billion-plus members – approximately 600,000 of whom live in New York City – non-Muslim Americans have had limited exposure to the faith, associating it with the acts of an extremist fringe rather than the deeply humanistic culture that gave birth to algebra and the poetry of Rumi. Concurrently, events such as the U.S. presence in Iraq, Danish cartoons of the Prophet Mohammed, and negative papal pronouncements have created significant anger toward the West in the Islamic world. Increasingly, immigrant Muslim communities within the West have become marginalized in their adopted countries, while Muslims and non-Muslims across the world increasingly view each other with mistrust. In addition, intra-Islamically, there is a need for Muslim communities to deepen knowledge and exposure to each others’ cultures to develop to further bind them together.

Recognizing the urgency of this situation and the unique power of cultural exchange to create new perspectives and connections between peoples locally and globally, the Asia Society, Brooklyn Academy of Music and New York University’s Dialogues: Islamic World-U.S.-The West (Dialogues) have partnered to launch Illuminating Islam: Cultural Journeys, an integrated cultural and intellectual platform that is unprecedented in its scale. The initiative will celebrate Islamic world’s diversity and richness through multidisciplinary programs. Additional partners include: Brooklyn Museum, Metropolitan Museum, MoCADA, Sundance Film Institute, Tribeca Film Festival and key community organizations.

The festival and academic conference will showcase the unity and diversity of Muslim cultures with presentations by more than 100 artists, performers, and scholars from regions of the modern Islamic world – Middle East, Africa, South Asia, South East Asia, Central Asia, and the Balkans. The organizing partners recognize the importance of contextualizing the programs with thoughtful supplementary materials through commissioned essays and other background materials to accompany presentations.

EXHIBITION THEME

In coordination with the Illuminating Islam: Cultural Journey, MoCADA is creating an exhibition based on an understanding of the Islamic faith in a contemporary context. Islam is often critiqued for its subjugation of women throughout the world. Female artists will have the opportunity to contribute to the conversation by creating work that discusses their own relationship/perspective about their faith. Artists may focus on the relationship in all of its forms (i.e. - the visual presentation of the relationship is more important than the what the relationship actually is). Given the enormity of cultures and ethnic groups following the Muslim faith, the exhibition will focus on U.S. based artists. Artists may be of any particular culture, but live and work in the U.S., must be of the Muslim faith and submit work based on their relationship with Islam.

Three to five artists will be selected from the received submissions to participate in the exhibition. There is no limitation on the type of medium and we encourage emerging artists to submit, especially those that have little to no exhibition experience.

APPLICATION PROCEDURE

Interested artists should submit the following:

· A portfolio of up to 5 images to be reviewed for acceptance into the exhibition. No files larger than 3MB please. CD’s are also acceptable.

· An Artist Statement or Artist bio, especially about the work(s) you are submitting and how they relate to the exhibition theme. Please also send a copy of your resume. Optional: Press clips, postcards, catalogues, etc.

If you are interested in participating, please submit to Kimberli E. Gant by August 4, 2008.

There are no restrictions on the type of medium.

Contact: kg@mocada.org or 718-230-0492

80 Hanson Place, Brooklyn, New York 11217

In addition to participating in the exhibition, you must take part in an artist talk/panel discussion focused on the exhibition, tentatively scheduled for June 9 or 10th. Each artist receive an artist honorarium of $2,000 for materials, plus $500 for travel expenses to attend the Opening Reception and Artist Talk.

HISTORY of MoCADA

MoCADA was founded in 1999 by Laurie Cumbo within the heart of the Bedford Stuyvesant community of Brooklyn and was housed in a building graciously provided by Bridge Street AWME Church. Today, MoCADA is Brooklyn, New York’s first and only museum committed to fostering a greater awareness of the art and culture of the African Diaspora as it relates to contemporary urban issues through innovative exhibitions, public programs and interactive tours.

In May 2008 MoCADA celebrated its 2nd Anniversary at its new location in the James E. Davis 80 Arts Building located within the BAM Local Development Corporation (LDC) Cultural District. BAM LDC's drive to create a vibrant, mixed-use cultural arts district in Downtown Brooklyn offers an ideal opportunity for MoCADA to advance its mission to make Brooklyn a premier multicultural arts destination.


“Illuminating Islam” Artist Submissions

Name__________________________________________________

Age_________ Gender_________

Telephone_________________ Email Address__________________

Home or Studio Address____________________________________

My Entries

Type(s) of work I am submitting (check all that apply)

Painting Photography Mixed-Media Digital

Installation Drawing Film/Video Sculpture

Printmaking Other: __________________________________

About My Submissions

Entry 1:

______________________________________________________________________

Title

______________________________________________________________________

Description Year

______________________________________________________________________

Dimensions and Weight

______________________________________________________________________

This entry is submitted via: □slide □CD/DVD □Digital Image

Entry 2:

______________________________________________________________________

Title

______________________________________________________________________

Description Year

______________________________________________________________________

Dimensions and Weight

______________________________________________________________________

This entry is submitted via: □slide □CD/DVD □Digital Image

Entry 3:

______________________________________________________________________

Title

______________________________________________________________________

Description Year

______________________________________________________________________

Dimensions and Weight

______________________________________________________________________

This entry is submitted via: □slide □CD/DVD □Digital Image

Entry 4:

______________________________________________________________________

Title

______________________________________________________________________

Description Year

______________________________________________________________________

Dimensions and Weight

______________________________________________________________________

This entry is submitted via: □slide □CD/DVD □Digital Image

Entry 5:

______________________________________________________________________

Title

______________________________________________________________________

Description Year

______________________________________________________________________

Dimensions and Weight

______________________________________________________________________

This entry is submitted via: □slide □CD/DVD □Digital Image

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22 July 2008


Mark your calendar! Save the Date! Celebrate!
Venice Arts: 15 Years

October 25, 2008
5:30-7 Intimate Dinner with honorees
7-10 Celebration & Party

RAVENSWORK STUDIO
1161 Electric Avenue, Venice

Extraordinary food | great music | silent & live auctions | photo studio | digital storytelling booth | more!

honoring our angels
Dr. Neal Baer | Executive Producer, Law & Order: SVU
Eugene Ahn | Wigglefish Design Communications

Click for here for Sponsor Letter. Click here for Sponsor Form.
Click to purchase your tickets, now.

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Please visit and share the launch of Halima Taha's new online venture


From the site:

Mission

Welcome to collectingafricanamericanart.com, a site sponsored by , a professional art and education service company. Our mission is to provide quality services that develop and advance individual, corporate and institutional collections that endure and retain aesthetic and market value.

Through our art advisory, appraisal, collection management and Speaker services we invite our clients and audiences to discover new and exciting things about themselves and the society in which we live through art, while providing essential support and services.

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new title


Edinburgh University Press are delighted to announce the publication of 'African American Visual Arts' by Celeste-Marie Bernier, the latest title in our BAAS Paperbacks series.

African American Visual Arts examines the quilts, ceramics, paintings, sculpture, installations, assemblages, daguerreotypes, photography and performance art produced by African American artists over a two hundred year period. She draws on archaeological discoveries and unpublished archival materials to recover the lost legacies of artists living and working in the United States.

African American Visual Arts
by Celeste-Marie Bernier

July 2008
Pb 978 0 7486 2356 3 £16.99
280pp, 16 colour illustrations

As the first critical study to provide in-depth case studies of twenty artists, this book introduces readers to works created in response to the Middle Passage, Atlantic slavery, lynching, racism, segregation, and the fight for civil rights. Bernier examines little-discussed panoramas, murals, portraits, textile designs, collages and mixed-media installations to get to grips with key motifs and formal issues within African American art history.

Working within this tradition, artists experiment with cutting edge techniques and alternative subject-matter to undermine racist iconography and endorse a new visual language. They push thematic and formal boundaries to create powerful narratives and epic histories of creativity, labour, discrimination, suffering and resistance. By providing close readings of works by artists such as Elizabeth Catlett, Jacob Lawrence, William Edmondson, Howardena Pindell, Charles Alston, Romare Bearden, Norman Lewis, Betye Saar, Horace Pippin and Kara Walker, this book sheds new light on the thematic and formal complexities of an African American art tradition which still remains largely shrouded in mystery.

Key Features

· Includes 16 colour photographs

· Provides individual and in-depth case studies of 20 artists

· Maps the tradition over a 200 year period (from slavery to the contemporary era)

· Presents close readings of neglected works

· Uses unpublished archival materials including artists' autobiographies, interviews, and descriptions of their works and aesthetic philosophies

· Includes Appendices listing other artists and information on where to view specific works



Table of Contents

Chronology of Visual Arts by African Americans from Slavery to the Present
Introduction: The Historical Context
1. ‘Grotesque jars and voodoo jugs’: Africa, a Slave Past and the Visual Arts
2. ‘Ethiopia Awakening’: Sculpture, Religion and Folk Art
3. Black Revolution, the Mural and the Fine Arts
4. Creative Chroniclers: Developments in Photography
5. A Visual Language: Graffiti Art and Installation
Conclusion
Guide to Further Reading


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20 July 2008




The Delaplaine Visual Arts Education Center
Frederick Arts Center Foundation, Inc.
40 S. Carroll St.
Frederick, MD 21701
301/698-0656
www.delaplaine.org
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Creating Humanity (Amidst the Illusion of Our Separateness)

Sonya A. Lawyer

June 7 - July 27

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